I'm in the final stretch of my rebrand, please excuse the mish-mash branding as I continue to use this platform while my new and improved site is being finalized.
I'm excited to bring everything under The Aware Advocate concept (left)—an identity rooted in curiosity, compassion, and a commitment to competent communication whether written, verbal, or physical.
discerning. competent. impactful.
Cristen Iris is an award-winning writer and editor with 10 years of first-hand experience working in the highly competitive book publishing industry. She has worked for traditional and hybrid publishers of fiction and nonfiction and alongside literary agents as a developmental and substantive editor, book proposal consultant, ghostwriter, and talent scout.
Cristen values autonomy within community and believes that writing and editing are a way of life, the constant creation and refinement of thought and action that leads to our highest level of contribution.
This belief; her education in the field of anthropology; her lived experience as a late-diagnosed autistic-ADHD business owner working with authors and aspiring authors who have a variety of thinking- and work-styles, constraints, abilities, and impairments led her to develop The [My/Your/Our] Zone of Competence Framework and The Aware Author Approach to writing, publishing, and marketing high-impact, commercially viable nonfiction books.
Cristen specializes in collaborating with subject-matter experts and memoirists who respect their readers, the craft of writing, and the business of books. She is fascinated by people who are themselves fascinated with what they do.
Her nonfiction client list includes university professors and researchers, medical doctors, mental health professionals, attorneys, entrepreneurs, consultants, and social justice and animal rights advocates and activists.
Cristen’s clients have contracts with Big 5, academic, and respected traditional model independent publishers. Some have found satisfaction and success within the hybrid-publishing model or as self-published authors.
Her clients have earned dozens of respected book and writing awards. Their bestseller rankings include New York Times, Publishers Weekly, and Amazon Charts. Several clients’ books consistently rank between #3 and 100 in one or more of their Amazon sales categories. National media coverage includes the TODAY Show’s Read with Jenna, Parade Magazine, Rolling Stone, Billboard, Variety, and New York Post. To date, their books have been translated into more than a dozen languages.
Everything I know about crafting compelling and commercially viable fiction and nonfiction I learned from studying people, novels, screenwriting, and the crafts of acting and cinematography and working with successful publishing and film professionals. I use my industry knowledge and experience to help clients stand out in a crowded marketplace.
As a developmental & substantive editor, I'm focused on all aspects of crafting a high-quality nonfiction book (substance, structure, style, and more), all while keeping the needs, goals, and interests of the reader top of mind.
As a neurodivergent individual who works with both neurotypical and neurodivergent clients, I have a deep understanding of my clients' needs, fears, and cognitive patterns. And I care very much about how each clients' lived experience affects them as they write, revise, pitch, and promote their work.
I value autonomy within community and am an inclusive businessperson. I do not discriminate based on race, ethnicity, country of origin, age, marital status, disability, religious or political affiliation, gender identity, or sexual orientation.
My clients and I agree that without intellectual integrity and respect for human dignity, our work has limited value. Therefore, we place the wellbeing of readers in the forefront of our minds and agree to focus our efforts on educating and empowering them.
I grew up in a home without a television but with hundreds of books. Our evenings were spent listening to my father or mother read to us--Louisa May Alcott, J.R.R. Tolkien, Laura Ingalls Wilder, Johann David Wyss, and many more. We were encouraged to read aloud, and I learned early on the pleasure of capturing an audience's attention and shaping their experience with a text through the combination of written and spoken word.
Not long after reading a WWII trilogy about a group of young freedom fighters, I began to write my own novel. Approximately three chapters in, I realized it was derivative at best and plagiarized at worst. Perhaps that was the day this editor was born. I was 12.
My first job was working for a small newspaper where I started as a survey taker and worked my way into ad layout. Many years later while studying anthropology, I worked in a university bookstore where I learned the ins and outs of textbook returns and met my first publishing industry insiders. The entire experience was interesting, but I saw a future related to my area of study.
I graduated magna cum laude from Boise State University with a degree in anthropology. I'm particularly interested in medical and socio-cultural anthropology and public health.
On the professional side, prior to going back to school and after graduating, my background includes investment sales and personal and institutional (university) risk management and insurance.
While at university, I discovered and fell in love with public health and medical anthropology but found the academic and government agency opportunities--as interesting and important as they are--too constraining.
I've always been self-motivated and interested in running my own business. With the encouragement received from professors and publishing professionals I chose freelance writing. Shortly after my first piece was published, I stumbled into developmental editing and then ghostwriting and saw their potential to satisfy both my creative and business itches and do work that impacts people's lives.
I became interested in the film industry through the many excellent books I read about the craft of writing, most of which were written for screenwriters. I started using the fundamentals of screenwriting when structuring ghostwritten books and helping clients and workshop participants do the same. Results in the form of awards and media attention followed. When I started writing about films and filmmakers and meeting them at film festivals, I found a new creative outlet and dynamic group of thinkers and feelers that I wanted to engage with as a peer and collaborator.
On the personal side, members of my family and I are autistic and ADHD and work in the neurodivergent community. I credit my success to my lifelong intense fascination with words and my neurodivergent creativity and monotropism and am grateful to be married to someone who respects my autonomy, appreciates my differences, and supports my efforts to learn, grow, and meaningfully connect with people.
